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Providence
-previously published in Primary Writing-
for Thomas & Lisa distances clear to withhold and portray of an alphabet to arrive stop of scented among stranger relations is repeated facewise domesticates a marshmallow dandy by the choice of more stem shooting or glass punch hatwork is other praising as load I am picturing Orpheus as an auto back of fairytale is a dreamhole where the head of hair is kept loose for showtime heat herds call shortage bags eyeful closet dust why not snooze or freak the drops into the consideration of carpet care of socket sharing to the leak of their particles unfolding in creases or flowering atop a bicycle the affluence of the literal shock me with a note bird of early music and the making of the pressed neatly with a limited fragment by composition close to the rock verbs do sing mixed berry leafing to outgrow the recess of super green and appear upright shaking each key percussively in a traffic set to be unlocked to wheel heavy hearing its furniture juxtafusion of multiphase drag or drop like files erected upon the cross of perfectly nail three words out bound in rust-coloured wraps for the business of at-homeness light that is mote-filled can exfoliate into an orchestration of clicking sounds as would-be phonemes dancing circuits made realer in the eye of the ensemblist hipped to a rose as wind stirs soup with scraps added in the coda water tricked in silent moving picture of their skirting it pink-hued with reddish brocade lifting solitude like a skeleton out of so-so containment whether it came or bent the observing of rules having acted should allow the full play conclave in mirrored helped objects to the underfeel digital pocket scale the height of their measuring to order and let go freed by the metronome tables turning no customers in hoping to take up slack in the heart springs repeating the birds pastoral descried the token abstract gesture latently tromping into mind out of whatever was to make up in the future from a system of credits beyond sign and wonder exchanging the cryptogram for the pond-frog-plash of explication mixing in subtler colours thrown down from the wings for the donkey and wagonette shown in painting circles done on location tipped in or carried beyond is a palace where the coaches signalled a break notated wheelbarrows poetic cloud with shapes that charge landscape with patent flourish on this spring day as you approach Hyde Park I would call up that flash not to be denied will or structural ambition placed like a mountain on a mouse garden for a handle imputes function to stone at the behest of radiance ghostly yet roistering the four-squareness of space with a collapsible hat blossom and incrustation to debunk by lucidity related equal half tones the custard area of giant wordlings memorises its flavour by invisible sponges only inches below the slap of the tide he said will eat away leftover phrases the contents of nodding the head among the bell-peals at Wapping or Limehouse effect is event whose chin abuts on the array of steps muffled as polar bears who guard the substance here at the border change access to the goods of the intellect has been bought for food constructed from plaited strips mood contraband passed off as dream stuff hinged to a baroque groove carved by the repeated pull of ropes to skip the other beats mermaids wreck the fisher boats inoculated against song rhyming to excess defined as the pervading hiss of a soda bottle as the spirit sweats to dislodge a suggested curriculum always is both tantamount to a catchment area and effective centre giving up its ghost to keep alive and at work |